Unrecorded
Year 2020
Introduction to the script: The structural inequality being the most
visible, this film is on the sidestepping of the cases and faces of Isolation,
the different frequencies of the same.
Writer/about me: This
comes from me who is a drug resistant tb patient and trying to cope with the
continuing isolation and traumatizing medication. Two years of isolation now,
many more months to go and an experience with tuberculosis from 2015, a onetime
intestinal tuberculosis survivor, now a drug resistant tuberculosis patient.
Purpose: An attempt to
make drug resistant tuberculosis to be a subject to be talked about, at least now
when we are trying to correlate with the covid19 pandemic. No concern is given
to deadly illnesses like tuberculosis it opens doors to social and economic
justice, political attention. This film is to remind that we were here this
entire time too, we are still here, keep this memory and overwhelm the system
to tackle killers like tuberculosis and others. Isolation is not new to us; to
drug resistant tuberculosis patients like me.
Description of the topic and script:
In India on an
annual basis, there are over 1, 00,000 new cases of Drug Resistant tuberculosis
cases. Drug-resistant TB is caused by TB bacteria that are resistant to at
least one first-line antiTB drug. Multidrug-resistant TB (MDR TB) is resistant
to more than one anti-TB drug and at least isoniazid (INH) and rifampin (RIF).
Patients are put
through toxic drugs with long regimens and painful daily injectables causing
severe sideffects, including disabilities like hearing loss. Tuberculosis is
airborne; I have the bacteria inside me while typing this, the tb survivor who
helped me cope with this, whom I connected online, lost her hearing from the
medication. Other survivors, to whom I am connected to also have stories of
survival and losses, never ending, yet unrecorded. Isolation is not cozying up
in safe homes; because if it were, then where would the homeless isolate during
a pandemic? It’s not about eating
healthy during a global health crisis, because then what would the ones with no
food at all do? What would the already struggling do? Who is recording their isolation? There is no
record of this isolation, because the invisible are never recorded for the very
truth that they are just not visible to you. The privileged spaces do not find
this a convenient story, this could go unrecorded forever.
SCRIPT
Title: Unrecorded
Theme: Isolation and
survival
Genre: Medical/Health
themed
Storytelling mode: Narrative
Duration: 3 minutes; or
more if detailing and deep into issue is taken.
Title tagline: "Busy preparing death notes I
forgot to die"
< A Montage
portraying row of short events showcasing the masked faces in a tb isolation
ward, monochrome in black and blue. The hospital isolation ward with blue is
highlighted, the walls, white pillows, black floors, black IV stands, black
injection medicine bottles, packed up daily meds covered and hid away far from
the patient bed, the congestion, no music involved, raw footage sounds only
- second
title/Chapter appears: MASKED TB
CHRONICLES>
Narration one: To watch me have my medicine is the worst
sight you will ever see if I allow. its visibly intolerable and painful, you
are going to take your eyes off soon, the projectile vomiting will force you
run from the scene, you cannot see me getting injected with all those toxic
medicines, Kanamycin, capreomycin all those goes straight into my body, I am
then falling out of senses every day, like I fall out of love, academia, work,
friendships, relationships and people. Yet now, Sure I am of the fact that
tuberculosis is not the harshest thing that happened to me, after all don’t you
know we live in this world where hatred, shame, stigma, inequalities dance in
all audacity. Is that why this is difficult, is that why they let a killer
bacteria roam free and get into us easily? Inhaling of a killer. You and I breathe the same air and it ain’t
so romantic here.
<<<<The
combination shots of the above said narration, where the protagonist’s face
isn’t revealed but the cut away and cut in shots of the actions and the scenes
as descried goes with close ups and extreme close-ups. The ambience could be
the room but not a grim one, but by showing the display board on the wall, the
politics, the character and the statements fulfilling the lead's nature is
shown, not on a sad note here, but simply introducing the matter, The movie
narration changes here, there is light on screen now, Sunlight and bright, a
sleepy cat with its two front legs placed tight on its eyes crisscross trying
to have uninterrupted sleep. With the end of it comes the next sub
title/Chapter: TENTACLES
>>>>> >>>>
-The sound of
crawling worms, coldness and numbness, the scene shows the girl in the mask
describing something to the doctor. This scene has an unrelated backdrop noise
as said. The clothing coats of the mask are thick and more than two layers and
there is fear in the eyes, in the tb centre, the scene is a chaos with
disturbances.-
-The next scene
is a sudden shift, a switch to the laughers in a room, there is a sense of
peace and calmness, there is energy and people cheering, the camera moves in
haste to show the scene only to reveal that the talking and cheering comes from
the phone handed in the protagonist, under the mask comes big wide smile. The change in scene goes to evening shot,
there is a bucket near the head position
of the bed, sanitisers grabbed tight in hand of the masked protagonist
and there is stillness as contrary to the beginning of this scene.-
-The shot of the
journal which is worn out from rough use, says 'notes', . There are pages
flipping shot of the disappointing letters,
lines and unfinished writings in a really unrecognizable handwriting,
there is a perfectly aligned portion titled ‘drug resistant tb’ notes and
testimonies, death notes stating aversion to living and happy notes wanting to
live all aligned in one.-
Next sub
title/Chapter : appears : FEEDING SHAME
: here includes the shots of countless
fast slideshow of faces in mask, in diff looks and ethnicity and distinctive in
outlooks, with a backdrop are questions that are asked by people, all in
stigmatizing tones. Some of them include: does tb still exist? How hard it is
to take some medicines? Stop pretending to be sick. You are not sick and a lot
more (will be added) taking account to the actual questions that tb patients
hear every day.
Sub title
appears : CACTI CATEYE
A close up and
switch to a scene of blood in the sink and the protagonist opening the tap to
let water pour and clean the sink, with the draining of the sink, the character
comes out of a door, to an open ground, the open ground is endless with massive
green and active cats, who the protagonist is already familiar with, the
character seems happy but not sure with the masked people, there are a large
number of people in masks and she couldn’t give look into all of them at once,
all seems to be engaged in watering the cacti garden and petting the cats,
there is an enormously large sized page from her journal on the ground, she
isn’t even bothered to see why it’s that big, there are comfortable loud noises
which she seems to like. The ground is busy, she couldn’t contain the energy
and register it to her head all at once, she wants to write them down and finding
words to describe this was tough yet she attempts to do it.
Busy in actions
she forgot the evening and the rain. The cold and the anger were bygone. The
cacti looked strong and reminded her reading about how hard to kill survivors
the cacti were. Glued to the sight she
forgot to breakdown.
Narration two: Run not away. With the diseased, the
invisible; the inconvenience it offers, here reality chokes. Yet if you want
this to just be a poem of the dying, this is not one, these are stories of the
ones preparing death notes and forget to die.
End sub title: breathe in /out.
Note: This is the storyline sketch script. An
elaborative one could be added if necessary.
-ATHIRA ELSSA JOHNSON
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